The instrumentalists were exemplary in the seemingly unlimited sounds they elicited, with pianist Winston Choi and bass flutist Emma Hospelhorn standouts in their respective parts which ranged from the delicate to the bombastic.
Gerald Fisher, Chicago Classical Review
In Augusta Read Thomas’ Capricci, flutist Emma Hospelhorn and clarinetist Zach Good brought joyful ferocity to their musical conversation.
Wynne Delacoma, Chicago Classical Review